Tamils constitute 5.9% of the population in India (concentrated mainly in Tamil Nadu and Puducherry), 15% in Sri Lanka (excluding Eelam Moors), 7% in Malaysia, and 5% in Singapore.
From the 4th century BCE, urbanisation and mercantile activity along the western and eastern coasts of Tamilakam -- what is today Kerala and Tamil Nadu -- led to the development of four large Tamil empires, the Cheras, Cholas, Pandyas, Pallavas, and velirs and a number of smaller states, all of whom were warring amongst themselves for dominance. The Jaffna Kingdom, and vanni chieftaincies inhabited by Eelam Tamils, was once one of the strongest kingdoms of Sri Lanka and controlled much of the north of the island. (Full article...)
Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musicianTyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)
An artist's representation of Ilango AdigalIlango Adigal (Tamil: இளங்கோவடிகள், Malayalam: ഇളങ്കോവടികൾ, romanized: Iḷaṅkōvaṭikaḷ) was a monk and a poet, sometimes identified as a Chera prince. He is traditionally credited as the author of Cilappatikaram, one of the Five Great Epics of Ancient Tamil literature. He is one of the greatest poets from Cheranadu (now Kerala). In a patikam (prologue) to the epic poem, he identifies himself as the brother of a famous Chera king Ceṅkuṭṭuvan (Senguttuvan). This Chera king, as stated by Elizabeth Rosen, ruled over his kingdom in late 2nd or early 3rd century CE. However, this is doubtful because a Sangam poem in Patiṟṟuppattu – the fifth ten – provides a biography of Ceṅkuṭṭuvan, his family and rule, but never mentions that he had a brother who became an ascetic or wrote one of the most cherished epics. This has led scholars to conclude that the legendary author Ilango Adikal myth was likely inserted later into the epic. In a 1968 note, Kamil Zvelebil suggested that, "this [Adigal claim] may be a bit of poetic fantasy, practised perhaps by a later member of the Chera Dynasty [5th or 6th century] recalling earlier events [2nd or 3rd century]". (Full article...)
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